Exploding traditional disciplinary boundaries, Cristin Millett’s investigations of medicine and its history are integral to her artistic process. Her research stems from her childhood growing up in a medical household where discussions focused on the human body. Whereas most scholars respond to their research through writing, Millett expresses the results of her critical analysis by creating works of art. She reinvents established methods of sculpture by incorporating new advances in digital technology, including CNC machining, 3D printing, and robotics, with the time-honored practices of stone carving and bronze casting. Her objects and installations prompt a contemporary cultural critique of societal issues surrounding reproduction and gender identity.